Elvira was thus Maria's spiritual guide and not just her teacher. With Elvira's advices, Maria recognized herself and her incredible talent and beauty. However, Elvira de Hidalgo taught her not only how to sing, but also how to dress, how to walk on a stage and on a street, how to move and how to stand. For Maria, the conservatory was her home. Everyday Maria arrived at the conservatory at ten in the morning and studied with Elvira until eight at night, with a short lunch break. She began to use some techniques and dramatic strengths she never thought she had and then she discovered the range of her voice (until then, many teachers at the conservatory said she was a mezzo- soprano, when in fact she was a soprano). Under Hidalgo's tutelage, she was constantly discovering herself, her voice and her power. Maria learned the high technique of roles in the Italian romantic repertoire. Her apprenticeship next to Elvira de Hidalgo took her to the next level. After a lot of work and countless hours of study, Maria Callas made her stage debut at the age of fifteen as Santuzza in a school production of Pietro Mascagni's opera ''Cavaleria Rusticana'' and she won the first prize with applause.Ī year later, Maria enrolled at Athens Conservatory and then the famous Spanish soprano Elvira de Hidalgo, who had sung with Enrico Caruso, walked into Maria's life. George Karakandas taught her acting at the Academy and David offered her additional singing lessons at home. In addition to her teacher and guide Maria Trivella, Callas had two other excellent teachers. She gave all the energy she had towards her dream, which was her voice, her singing. From that point on, she worked very hard and nothing could distract her. Maria Callas, on the other hand, drew from her teacher the strength to fight for her passion. She gave Callas courage and helped her to believe in her talent, in her beautiful voice. From this, it is clear that Maria Trivella wasn't only Callas's first teacher, but also her ''spiritual'' mother. The authorities accepting that Maria was sixteen and not thirteen, agreed to pay for her music lessons (Huffington, 2002). She even managed to convince Callas's mother to change her daughter's age in order to get a conservatory scholarship. From the beginning, Maria Trivella showed her desire to support and help the talented student. Her first teacher Maria Trivella immediately recognized Maria's divine talent. As soon as she started singing, Maria felt free from all fears. Upon her return, she enrolled at the National Conservatory in Athens and started singing, piano and melodrama lessons with great teachers. In 1937, Maria Callas returned to Greece with her mother and sister, following the separation of her parents. The little Maria Callas nicknamed ''Nina Foresti'' sang the aria ''Un bel di Verdermo'' from Giacomo Puccini's opera ''Madama Butterfly''. In fact, Maria Callas won her first prize in a singing competition for kids at the age of eleven, whilst she had her first professional experience at twelve. She took her first piano and solfege lessons at the age of 8 and her talent was immediately evident. Maria's involvement with music began very early. In 1929, her father shortened his last name first to Kalos and later to Callas. Callas's birth name was Maria Cecilia Sophia Anna Kalogeropoulos. Her parents had two other children, Vasily (who died of typhoid fever when he was only 2 years old) and Yakinthi (called Jackie). Maria Callas was born in New York on Decemto Greek parents.1 She was the daughter of George Kalogeropoulos, a pharmacist from Meligalas, Messinia and Evangelia Dimitriadis (known in the family as ''Litza'') from Stilida, Fthiotida. She was the Golden Voice of the century, a wonderful gift from God to the world. She was not only a soprano, but according to Leonard Bernstein she was ''The Bible of Opera''. She was a real artist who lived by her instinct and was the inspiration for all that followed. Her emblematic voice and outstanding talent opened the door to opera worldwide. She was the greatest diva of all time and the most significant figure in opera. She was the greatest soprano of the 20th century. To celebrate her life, Warner Classics has released a 42-CD box-set of her remastered recordings – find out more here.''To sing is an expression of your being, a being which is becoming''- Maria Callas Introduction
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